0000057383 00000 n and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. 1,650 posts. We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. Department of CHEMICAL ENGINEERING Engineering II Building University of California, Santa Barbara Santa Barbara, CA 93106-5080. Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Regents of the University of California. UC Santa Barbara. Office: ED 3228, Multiple-Subject (MST, Elementary) This field is for validation purposes and should be left unchanged. BA University of Oregon, Computer Science, Media Arts and Technology. She created, built, and designed the Center for Research in Electronic Art Technology and is the Center Director since its inception in 1986. Media Arts and Technology. Her work has been presented at international venues including CHI, SIGGRAPH, Art Basel in Miami, Boston Fashion Week, and Ars Electronica. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. 0000002325 00000 n Cc bi vit sau y c hp nht trong Scholar. Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. Trained in computer science, design, and fine art, Jacobs received her Ph.D. The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Her work is in the permanent collection at the Los Angeles County Museum of Art. MS, Geography, University of Toronto, Canada Login with your UCSB net ID to manage your events. With over 20 years of research experience in audio and digital signal processing, he was a long time contributor to the Csound language and developed the widely-distributed Csound development environment CsoundQt. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Department of Music. Supervisor: Maneesh Agrawala. His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. He has been teaching at Chinas Central Conservatory of Music since 2003 (electronic music composition). Office: ED 2218, English-Language Arts University of California, Santa Barbara. The culmination of her design is the AlloSphere Research Laboratory, a three-story metal sphere inside an echo-free cube, designed for immersive, interactive scientific and artistic investigation of multi-dimensional data sets. Gerald Jacobs received a B.A. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. 0000006941 00000 n In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. 0000005074 00000 n 3. 0000003807 00000 n Jacobs received a BA in English Language and Literature from Iowa State University in 1993. Professor Jacobs has authored numerous journal papers and chapters on a wide range of topics dealing with vision and the visual system. Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. W. Patrick McCray is a professor in the History Department at UCSB. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. BibTeX. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". Jennifer Jacobs worked as a Peloton instructor until her departure in 2019. She is director of the Expressive Computation Lab a group whose research spans computational art and design, human computer interaction, and systems engineering. Dr. Visell is a faculty member at UC Santa Barbara, in the Media Arts and Technology Program, Electrical and Computer Engineering Department, and Mechanical Engineering Department (by courtesy). Department of Mechanical Engineering. David Young Chandra is an ACM Senior Member and an IEEE Senior Member. The lab focuses on computational-based creative explorations in the fields of data visualization, visual language, machine vision, computational photography, interactive digital installations and related directions addressing the impact of computation on visualization. Santa Barbara, California 93106-1120. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . The lab is based in the California NanoSystems Institute and is affiliated with the Four Eyes Lab in MAT and Computer Science and the Center for Interactive and Visual Computing (CIVC). GH Jacobs, JA Fenwick, GA Williams. kblackwell@ucsb.edu His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. 0000003066 00000 n Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). Professor Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. MFA San Francisco Art Institute. RE Touch Lab - Director and Principal Investigator. He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. Office: ED 2218, History-Social Science Her years of experience in digital media research led to the creation of a multi-million dollar sponsored research program for the University of California, the Digital Media Innovation Program. Assistant Professor of Media Arts and Technology. Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. %PDF-1.4 % Tobias Hllerer. tepapp@education.ucsb.edu Samantha Cole His artistic works have exhibited at some of the most prominent cultural venues in the world. He is former Media Arts & Technology department chair (2013-2017). He received the Masters of Architecture at Ohio State university in 1983. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.co Research Interests . Professor Connect. In a series of theoretical essays in the 1990s, he explored cultural criticism, the new historicism, and postmodernism in contemporary literary studies. The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. Department of Computer Science. 0000010017 00000 n Tim Dewar CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. As part of her research, she has conducted craft and technology workshops around the world. She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . AlloSphere Research Group. As AI decouples intelligence from consciousness, as XR technologies transform perception, and as matter becomes machine manipulable, three key questions about the future arise: 1) what will newer AI-infused experiential interfaces look like where digital bits occupy space and algorithms have faces, 2) what can we learn about human behavior through human-AI interaction and how can AI models learn from human behavior, and 3) how will a shift from data-centric to human-centric AI systems augment our capabilities and enrich our lives? 0000055655 00000 n Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. trailer <]/Prev 263262/XRefStm 1180>> startxref 0 %%EOF 754 0 obj <>stream We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. Connect. 0000009548 00000 n Jennifer Richard (Jacobs) Marketing Manager - Aortic & Peripheral Vascular Health, Australia & New Zealand at Medtronic Greater Sydney Area. College of Engineering - UC Santa Barbara. for a Member company and forgot your password. Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). His 2005 CD/DVD album POINT LINE CLOUD was re-issued by Presto!? With Dr. Joseph Tilbian, he developed the Stride programming language aimed at simplifying development for interactive embedded and heterogenous systems. Directs the Experimental Visualization Lab in Media Arts & Technology, Office: 2211 Elings Hall, lab: 2611 Elings Hall. More broadly, she examines how to enable art and design professionals to leverage their domain expertise to develop personal software tools. Assistant Professor (Computational Craft and Haptic Media) Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. Pradeep Sen is a Professor in the UCSB MIRAGE Lab in the Department of Electrical and Computer Engineering at the University of California, Santa Barbara. Jacobs . New interface technologies become new tools for musical and artistic expression. Candidates should have a solid technical background and a strong interest in art, design, or manufacturing applications of computation. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. His studio in Beijing specializes in live music performance over highspeed networks. At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. A state-of-the-art research and teaching facility. During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. . The new paradigm of computing, harnessing quantum physics. 0000004690 00000 n M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). Jennifer Pharaoh '82 . He co-directs the "Four Eyes Laboratory" conducting research in the four I's of Imaging, Interaction, and Innovative Interfaces. ALL RIGHTS RESERVED. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). In 2004, he began researching a new method of sound analysis that is the analytical counterpart of granular synthesis called dictionary-based pursuit (DBP). In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Er zijn 800+ professionals die 'Jennifer Jacobs' heten en LinkedIn gebruiken om ideen, informatie en kansen uit te wisselen. BEng, Systems Design Engineering, University of Waterloo, Canada. Founder of J METHOD Fitness Title. Opportunities for PhDs to work on world-class computer science research with faculty members. Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. As a historian, McCray is fascinated by the visions of the future that litter the past. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. Jennifer Jacobs. Lecturer. Distinguished Professor A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Ken Fields received a doctorate in Media Arts from the University of California at Santa Barbara. He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. Professor of Computer Science. Click Here to Login with UCSB Net ID. Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. Media Arts and Technology. MFA Computers in Fine Arts, CADRE, San Jose State University. Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. She works across the fields of computational art and design, human computer interaction, and systems engineering. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. Karin Lohwasser In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. Cc bi vit c nh du. Jennifer Jacobs is an American journalist who is currently a senior White House correspondent for Bloomberg News. From 2009 on he is the one of the series editors of the Arctic Perspective Cahiers series (Hatje Cantz and API). She works across the fields of computational art and design, human computer interaction, and systems engineering. Chandra's efforts have been recognized with a 2006 NSF CAREER award, the 2008 CRA-W Anita Borg Early Career Award (BECA), and the 2008-9 UCSB Academic Senate Distinguished Teaching Award. Dr. Jacobs received her Ph.D. from UC Berkeley and her B.A. Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. Professor Jennifer Jacobs. Snap, United States and Computer Science, Princeton University, United States, Michael Nebeling between music and language, and the visual, and would welcome collaboration with MAT students in any of these fields. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Lab: room 3005 (Systemics Lab), Elings Hall. I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. 0000132293 00000 n Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). Copyright 2023. His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. Kate Farms is strengthened by the heart and . To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. His use of a computer as an algorithmic music tool dates from 1971. 0000000696 00000 n Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 in Computer and Electrical Engineering. When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. She also received an M.F.A. 0000058432 00000 n He began his research in the field of British romantic literature and art. As primary investigator, she has received two research grants in 2020 and 2021 from the National Science Foundation Division of Information and Intelligent Systems in computational fabrication for manufacturing and commercial craft. Julie Estabrook Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. jennifer jacobs ucsb. 735 20 Pre-Professional Coordinator: We need new ways of conveying and accessing information, without requiring undue effort or attention on our part. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. hb```b``b`a``cad@ A6 daxP`Bca4 R@9Tjx5n$_L]r0:G\KE. Department of Computer Science. Marcos Novak is a pioneer in the field of virtual architecture. GH Jacobs. Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. 0000000016 00000 n Since 2015, he has hosted The Unknown Territories, a weekly radio broadcast about contemporary science and experimental music. estabrook@ucsb.edu jennifer jacobs ucsbhow to check how many warnings you have on roblox. UCSB Center for Responsible Machine Learning. He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. Her first book, The new release (2021) includes support for Open Sound Control. Elliot W. Hawkes is an Assistant Professor of Mechanical Engineering at UCSB. He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. Jacobs received her Ph.D. from the Massachusetts Institute of . Expressive Computation Lab. Tobias holds a graduate degree in informatics from the Technical University of Berlin and MS and PhD degrees in computer science from Columbia University. 0000010406 00000 n The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& 7 in its 2022-23 list of "Top Public Schools" U.S. News & World Report - ECE & CoE among Nation's 2023 Best Grad Schools Admissions At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. Many of her rides had remained available until a class purge in August 2020 . Based on funding mandates. 0000006065 00000 n She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). MFA Hunter College His research partners included Garry Kling, Bob Sturm, Aaron McLaren, and John Shynk. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman.
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